Billy-Ray Belcourt (@BillyRayB) is from the Driftpile Cree Nation. He is an incoming PhD student in the Department of English & Film Studies at the University of Alberta. He will work under the supervision of Dr. Keavy Martin on a project tentatively called “The Indigenous Paranormal.”

Billy-Ray is also a 2016 Rhodes Scholar and read for an M.St. in Women’s Studies at the University of Oxford and Wadham College. His thesis was called “Decolonial Sight: Indigenous Feminist Protest and the World-to-Come,” and it made the case for a mode of looking at daily life, scenes of protest, violent encounters, and the world of the visual that can spot the rogue traces of a world-to-come.

Billy-Ray studies Indigenous art, literature, and film and lets these objects occasion his thinking about the anti-/ante-/ontological, queer worldings, native futures, the two valences of non-sovereignty, and ethics in a colonial present.

Billy-Ray is also a poet: named by CBC Books (à la Tracey Lindberg) as one of six Indigenous writers to watch. His work has been published in Assaracus: A Journal of Gay Poetry, Decolonization, Red Rising Magazine, mâmawi-âcimowakSAD MagYellow Medicine Review, The Malahat ReviewPRISM International, and The Next Quarterly. His debut collection of poems, THIS WOUND IS A WORLD, is forthcoming with Frontenac House in late September 2017. To see what other Indigenous writers have to say about it, click here and here.

For his regularly updated CV, click here.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s